Repellent Bridesmaids
April 28, 2012 3 Comments
Don’t know how/when but somehow I had gotten the idea that Bridesmaids was going to be a hilarious movie. This is doubly-weird because the main thing I’d heard about it was that it was the ‘female Hangover‘ and I didn’t even like that movie much in the first place, and found it mostly sad and strange.
Bridesmaids is, I guess, like The Hangover in that way. This is because, although on paper it seems like a pretty formulaic comedy of the sort that might have starred Julia Roberts in the ’90s – there’s a main character who we follow along on a pat story arc involving first a lot of bad but ‘funny’ stuff and then a resolution, with both her friends and a gentle love interest – they made a very interesting and perhaps daring choice, in that they made the main character completely and totally unlikable and unsympathetic in every possible way.
I hated Kristen Wiig’s lead character. Despised. She has no redeeming qualities. There is nothing to like about her. Am I getting through here? The rival, gorgeous, refined, nice ‘enemy’ character played by Rose Byrne, who for most of the movie (I gather) we were supposed to dislike, was far more likeable (but then, I would think so…)
What this means (if you agreed with me about the character) is that you sit and watch this movie ostensibly constructed around ‘will the main character find happiness and get to a better place with her friends and romances?’ and you don’t care if she does, or even actively do not want her to. This makes it something of a surreal experience. Because while Bridesmaids has all the trappings of a movie starring A Character We’re Supposed To Like And Want To Succeed, they mixed things up and (seemingly intentionally) didn’t put that character in the lead, they put an annoying, self-centered, repellent character there instead.
Which, is an interesting choice.
What happened then? One possibility is that the writers don’t know she is repellent, or at least don’t see her as repellent as I did. No accounting for taste and all that. The explanation I favor though is that Bridesmaids is a sort of cultural agit-prop, meant to change views and tastes as to what is acceptable and attractive and likeable. A feature-length infomerical meant to portray inherently-unlikeable, atrociously-self-centered and obnoxious girls as likeable in the hopes that this will trick people, or even change aesthetics along the way. Sort of like movies/TV shows instructing us that ‘big beautiful (=fat) women’ are attractive. Yes, I understand they’d certainly like to think so. The problem is they might find that not everyone is playing along.
I ran into this problem myself. My daughter loves this movie (disclaimer; we both liked The Hangover) and I could only watch about a third of it before I came to the same conclusion you did. I don’t like anyone depicted in this picture.
The same was true of The Beach, which I was assured was boffo. I so wanted the drug dealers to kill everyone.
It’s about as mainstream as Roissy theory is going to get. At least in the movie:
1) The main character realizes her error and makes strides to apologize at the end.
2) The love interest isn’t a total pushover and doesn’t welcome her back right away.
The choices for the characters were perfect.
The early 30s thin woman that is attractive but rapidly hitting the wall and has money problems.
She gives easy sex to the alpha character (Don Draper guy). He treats her like an aloof cad.
The nice guy cop is exactely right for that kind of woman. He has a stable, somewhat masculine job, is average attractiveness, and has average game (from the flirting skills I saw). He lays the nice on a bit much but makes up for it by playing hard to get when she tries to apolagize. The kind of alpha/beta mix you might expect from that kind of guy.
So their socio-sexual values are close enough that maybe they can get togethor. If he can practice a little game and she can turn down the hypergamy and crazy they can get married in their early 30s and squirt out 1-2 kids in a fairly average marraige.
Yeah, I could dig and picked up on some of the Roissy-esque themes they were apparently touching on. But this didn’t help because (1) it still wasn’t funny and (2) they still shoved it all into an otherwise mainstream rom-com plot.
A true Roissy outcome would have been for her to realize her error and leave Don Draper, but then the cop rejects her because he’s not quite beta enough to settle for some other alpha’s leftover, so she finishes the movie totally alone, bitter, and shrill. But, I guess that ending wouldn’t test well or something